Then what had been spoken through Jeremiah the prophet was fulfilled: “A VOICE WAS HEARD IN RAMAH, WEEPING AND GREAT MOURNING, RACHEL WEEPING FOR HER CHILDREN; AND SHE REFUSED TO BE COMFORTED, BECAUSE THEY WERE NO MORE.” ( Matthew 2:18)
“Nothing could be more bitterly tragic than the scene in this Nativity drama, in which the mothers sing a lullaby to the children they think they have brought into safety the moment before the soldiers of Herod rush in and butcher them screaming on the stage. Nothing could be more broadly farcical than the scene in which King Herod himself pretends that he has manufactured the thunderstorm….
We have seen a real King Herod claiming the thunders of the throne of God, and answered by the thunder not merely of human wrath but of primitive human laughter. He has done murder by proclamations, and he has been answered by caricatures. He has made a massacre of children, and been made a figure of fun in a Christmas pantomime for the pleasure of other children. Precisely because his crime is tragic, his punishment is comic; the old popular paradox has returned.”
-G.K. Chesterton, The Humour of Herod, The Uses of Diversity, 1920
Read the Lecture: The Uses of Diversity
Read the rest of the essay: The Humour of Herod
Image source: Massacre of the Innocents, Guido Reni, Dec 31, 1610, Wikimedia Commons